The main tension of the screenplay has been brought to a head at the end of the second act--the Statement of Transformation make sit clear that tension is building. How will the changed main character resolve the situation? Or is the change just temporary? The end of the second act asks the question, "What happens Now?" The third act provides the answer.
- the conflict is resolved
- the central question is answered
- the sub-plots are tied up
- characters are settled in new circumstances
Here are the two pivotal points for a Third Act Structure:
Probably the most obvious examples of a Third Act climax and resolution are in traditional mystery novels. In books like those of Agatha Christie, the Statement of Transition is a sudden realization of the detective--s/he has been looking at things entirely wrong; once the kaleidoscope is shaken, the missing piece fits into place and the truth emerges.
This leads to the final (usually very brief) third act, when the characters are gathered in the study. The detective tells their story in a leisurely and vague manner, only coming to the point--the Climax--when telling of how they figured out the truth and then by naming the murderer. The Resolution is the brief series of scenes afterwards, telling of the restoration of order (or of the new world order) within the community after the removal of the murderer. Secondary characters are glimpsed in their new lives, love affairs are resolved.
Today I will
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